thomasdrotar.com
…in 1991. I decided to work in the film industry’s Art Department. I returned to school to learn illustration and scratched my up to a Production Designer role. This lasted 25 years and encompassed over 200 commercials and stills working with some of the top directors and photographers in the industry.
Later, I found my attention pulled into the digital world. I became a top flash designer and followed that up by learning the web and everything Adobe.
I graduated from the Universtiy of Michigan in 1982 and headed west. Not a clue to what I was going to do I picked up sales jobs to live and found that I was exceptional at it. I made a small fortune selling things from books to fur coats. I. Magnin, the last of the pre-war couture department stores gave me insights to what really was available in this world. Fashion, style, beauty; it opened my eyes.
I wanted more…and that could only be found in Los Angeles.
…I wanted out. After high school I joined the Marines. Once out I went to college on the GI Bill and flourished. Heading west afterwards and making my way in the world was a gift. Later, I took a year off and traveled around the world. I tried to be a writer but just couldn’t pull it off. I never stopped wanting to learn new things so whenever I found something that caught my interest I taught myself how to do it. I was blessed and extremely fortunate. Still am.
It’s been a great run. Books, however, have played an integral part of my life and I give them sole credit for striving for more. A book pulled randomly off the shelf while serving in Okinawa, Earl Thompson’s “Tattoo,” got the ball rolling. That and the movie, The Seven Samurai, by Kurosawa. I tripped over it one night on PBS as an 11 year old and I suddenly understood that there was a higher power. Scorsese’s using Mott the Hopple ‘s “All the way to Memphis,” in his film, “Alice Doesn’t Live Here Anymore” made me realize that everything is possible.